Archive for March, 2009

Edward Llewellyn

Saturday, March 21st, 2009

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Edward Llewellyn-Thomas (15 December 1918 – 5 July 1984) was a English scientist, university professor and, writing as Edward Llewellyn, a science fiction author. Llewellyn-Thomas published some sixty scientific articles on psychology and eye movement over the course of his life. Active in the field of pharmacology and emerging as a scientific talent just as Rachel Carson’s iconic book Silent Spring began to reach the public consciousness, he took great interest in the ethical development of biomedical science. His popular Douglas Convolution science fiction series concerns the breakdown of civilization after most of a generation is born sterile as a side-effect of a widely used anti-cancer medication.

Contents

  • 1 Biography
    • 1.1 Death
  • 2 Bibliography
    • 2.1 Scientific Papers
    • 2.2 Science Fiction
      • 2.2.1 The Douglas Convolution Series
  • 3 References

Biography

Born in Salisbury, England, Llewellyn-Thomas graduated with a degree in electrical engineering from the University of London shortly before the start of World War II. At the war’s outbreak in 1939, at the age of 21 he joined the British Army. As a specialist in radar and communications he served with the Royal Electrical and Mechanical Engineers and saw action in North Africa and the Far East. Rising to the rank of Captain, he subsequently spent time in Gibraltar and was the officer on the island responsible for communications.

Subsequent to the war he was attached to the British War Office, and it was while he was attending a Staff College course in Virginia that he met his wife Ellen. He was demobilized from the army in 1947 ? the same year that he married Ellen. For a time, he was posted in Malaysia and stayed on in Singapore to work in telecommunications. While in Singapore he decided to pursue training in Medicine. In 1951 Llewellyn-Thomas moved with his wife to Montreal, where he entered McGill Medical School. While in medical school, Llewellyn-Thomas was employed as an Electrical Engineer at the Montreal Neurological Institute where he worked with Carl Jasper and Wilder Penfield, who, at that time were engaged in their pioneering work on mapping the electrical activity of the brain.

Following graduation from McGill, he interned at the Queen Elizabeth Hospital in Montreal and during that time decided to work as a general practitioner in a small community, in order to experience as much as he could of the breadth of the practice of medicine. For two years, he practiced on a small island in the Bay of Fundy, often traveling in a fishing boat to other islands to visit patients. Working in these isolated conditions, it was often necessary to handle difficult medical cases without immediate help.

It was during this time that he also worked as a Research Associate in the Department of Social Psychiatry of Cornell University, taking part in a major project designed to study psychiatric illness in small communities. An opportunity to work on man and the environment related to aerospace medicine attracted him, and the family moved to Toronto in 1958, where he joined the Defense Research Medical Laboratory. Here, amongst other things, he initiated research into human eye movements. As a gifted scientist with a wide range of interests, he also explored various aspects of aerospace medicine, psycho-pharmacology, and how man responded to his environment. Along with Norman H. Mackworth he designed a head-mounted camera to record eye movements. He used this to study eye movements under a variety of physical conditions, such as driving an automobile, flying a small aeroplane, or perusing art. Subsequent to his appointment as Associate Director of the then Institute of Biomedical Electronics, a picture of a much improved version of this camera was used as the front-cover for an issue of Scientific American (August 1968). In this issue, he was the author of a full description of the camera design and its application in a variety of studies that he and his graduate students at the Institute continued to conduct.

He joined the University of Toronto as a part-time lecturer in pharmacology in 1959 and became a full-time member of the faculty in 1963, and here pursued his research in pharmacology and biomedical engineering. He was appointed as the first Associate Director of the Institute of Biomedical Electronics that had been established in 1962 under the direction of Norman Moody. In this capacity he provided a direct link to the Faculty of Medicine as well as to the many associated medical research groups in the surrounding hospitals. These were responsible for establishing new interdisciplinary research projects for the Institute staff and graduate students.

Llewellyn-Thomas was a gifted teacher capable of making a potentially dull subject an exciting new venture. For example, in his introductory lectures to a course on Biomedical Engineering, introduced by the Institute around 1967, he presented basic physiology from an engineering perspective. He also introduced an Internship course in which graduate students in the Institute spent time in hospital departments experiencing first-hand some of the problems faced by these departments. He was responsible for supervising a considerable number of graduate students, many of whom themselves became academics. Tommy’s unusually wide interests are reflected in the range of academic appointments he held. In addition to his appointment in Pharmacology and the Institute he had a professorial appointment in the Faculty of Applied Science and the department of Electrical Engineering. At one time he was a lecturer in design in the Ontario College of Art & Design and a professor in the psychology department of the University of Waterloo, where he taught the first course in Canada on human factors in engineering. He also pursued his clinical interests and held appointments in the Department of Family and Community Medicine at Women’s College Hospital and in the department of anesthesia at the Toronto General Hospital.

He was the author or co-author of some sixty scientific papers, and in addition was a co-editor of the first comprehensive text on biomedical engineering. About six years prior to his retirement he commenced writing science fiction books. Six of these were published under the pseudonym of Edward Llewellyn. He was a member of the Canadian writers’ group the Bunch of Seven prior to its formalization. He also published a number of poems written in Welsh. He was a member of the Institute of Electrical Engineers and at the same time a member of the Royal Society of Arts. He was a member of the Human Factors Association of Canada and served a term as the President of that organization. In 1974 he won the Engineering Medal, a major award from the Association of Professional Engineers. He served as consultant to the Royal Ontario Museum, the Ontario Science Centre, the World Health Organization, the National Research Council, the Medical Research Council, the Defense Research Board of Canada, the National Design Council, and several other major firms and government agencies in Canada and the United States. His election as a Fellow of the Royal Society of Canada was in recognition of his outstanding contributions to science.

Always active, at the time of his death he was preparing a submission to the Federal Commission investigating the Ocean Ranger disaster. Throughout his career he was known as an excellent lecturer, but in addition he developed a genuine interest in undergraduate teaching. Not only was he interested in teaching and the curriculum, he was interested in the individuals involved in the process, the teachers and the students. His particular talents with people, students especially, were recognized in 1974 when he was appointed Associate Dean, Student Affairs, a position he occupied with distinction until his retirement.

Death

Edward Llewellyn-Thomas died 5 July 1984, only a few days after his retirement as Associate Dean for Student Affairs, Faculty of Medicine, University of Toronto. He was survived by his wife Ellen and their three children Caroline, Roland, and Ned.

His daughter Caroline Llewellyn was also a published author and son Roland Llewellyn has performed for many years in the New York-based pop punk band Banji.

Bibliography

Scientific Papers

  • K.C. Anderson, G.H. Ues, K.C. Smith, E. Llewellyn-Thomas. “An eye-position controlled typewriter” (1976). Digest of the 11th International Conference of Medical Biological Engineering.
  • Llewellyn-Thomas, Edward. “Movements of the eye” (1968). Scientific American 219. (Cover story)
  • Llewellyn-Thomas, Edward. “Fight–or Ultimately Die”, Science, November 8, 1968,162: 620
  • Llewellyn-Thomas, Edward. “The Future of Computers in Anaesthesia”, Canadian Journal of Anesthesia, Vol 15, 519-527
  • Llewellyn-Thomas, Edward. “The Prevalence of Psychiatric Symptoms within an Island Fishing Village”, Canad. M. A. J. July 30, 1960, vol. 83 , pp. 197-204
  • W. J. Russell Taylor, Edward Llewellyn-Thomas, George C. Walker, and Edward A. Sellers. “Effects of a Combination of Atropine, Metaraminol and Pyridine Aldoxime Methanesulfonate (AMP Therapy) on Normal Human Subjects”, Can Med Assoc J. 1965 October 30; 93(18): 957–961.
  • Walters, Richard H, Edward Llewellyn Thomas, and C. William Acker. “Enhancement of Punitive Behavior by Audio-Visual Displays”, Science, June 8 1962, 136: 872-873
  • N. H. Mackworth and E. L. Thomas, “Head-mounted eye-marker camera,” J. Opt. Soc. Am. 52, 713-716 (1962)
  • Llewellyn-Thomas, Edward. “Preparation of Skin for Electrocardiography”, British Medical Journal, Correspondence Section, February 22, 1958, p.460

Science Fiction

  • Llewellyn, Edward. Word-Bringer, DAW Books, 1986
  • Llewellyn, Edward. Fugitive in Transit, DAW Books, 1985
  • Llewellyn, Edward. The Lords of Creation, 1985 (short fiction)
  • Llewellyn, Edward. Salvage and Destroy, DAW Books, 1984

The Douglas Convolution Series
  • Llewellyn, Edward. Prelude to Chaos, DAW Books, 1983
  • Llewellyn, Edward. The Bright Companion, DAW Books, 1980
  • Llewellyn, Edward. The Douglas Convolution, DAW Books, 1979

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Ben Matthews

Saturday, March 21st, 2009

Ben Matthews (born 21 July 1963 in England) is the guitarist and keyboard player with the hard rock band Thunder. He is also an experienced studio engineer and mixer; he worked with progressive rock act Mostly Autumn as studio engineer on their 2005 album Storms Over Still Water. He also guested on their 2006 live album Storms Over London Town. He uses mainly Gibson and Fender guitars with Marshall amplification.

Equipment

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Gerswalde (Amt)

Saturday, March 21st, 2009

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Gerswalde (Amt)

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Gerswalde is an Amt (”municipal federation”) in the district of Uckermark, in Brandenburg, Germany. Its seat is in Gerswalde.

The Amt Gerswalde consists of the following municipalities:

  1. Flieth-Stegelitz
  2. Gerswalde
  3. Milmersdorf
  4. Mittenwalde
  5. Temmen-Ringenwalde
This Brandenburg location article is a stub. You can help Wikipedia by expanding it.

Coordinates: 53°07?01?N 13°43?59?E? / ?53.117°N 13.733°E? / 53.117; 13.733

Retrieved from “http://en.wikipedia.org/wiki/Gerswalde_(Amt)”
Categories: Brandenburg geography stubs | Ämter in Brandenburg

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Total Living Network

Saturday, March 21st, 2009

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Total Living Network
Total Living Network
Type religious broadcasting
Country United States of America
Availability National; broadcast worldwide
Affiliation Sky Angel Satellite Network
Website
www.tln.com/

Total Living Network (TLN) is a religious broadcasting channel based in Chicago which carries a wide variety of family and ministry programs, including Ten Keys for Unlocking the Bible; Newsmakers, where leading Christian experts debate issues of interest to the Church; Inspiration Sensation, a Christian music talent competition; Total Living with Jerry Rose, the network’s flagship talk show featuring one-on-one conversations with notable guests; and Aspiring Women, an award-winning women’s talk show produced by TLN. TLN is also involved in the production of original specials, such as The Da Vinci Code Deception, and is committed to producing new types of Christian programming to reach seekers and to build up the Church.

TLN can be seen nationwide on Sky Angel.

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Naucrary

Saturday, March 21st, 2009

The Naucrary (Ancient Greek: ?????????) was a subdivision of the people of Attica, and certainly among the most ancient in the Athenian state.

Contents

  • 1 Etymology
  • 2 History
  • 3 See also
  • 4 Sources

Etymology

The word is derived either:

  1. from vavs (a ship) and describes the duty imposed upon each naucrary, of providing one ship and two (or, more probably, ten) horsemen; or
  2. from vaitu (to dwell), in which case it has to do with a householder census.

The former is generally accepted in view of the fact that the naucraries were certainly the units on which the Athenian fleet was based.

History

The view once held (on the strength of a fragment of Aristotle, quoted carelessly by Photius) that the naucrary was invented by Solon may now be regarded as obsolete (see the Aristotelian Constitution, viii. 3). Each of the four Ionian tribes was divided into three trittyes (”thirds”), each of which was subdivided into four naucraries; there were thus 48 naucraries.

The earliest mention of the term is in Herodotus (v. 71), where it is stated that the Cylonian conspiracy was put down by the “Prytaneis (chief men) of the Naucraries.” Although it is generally recognized that in this passage we can trace an attempt to shift the responsibility for the murder of the suppliants from the archon Megacles, it is highly improbable that the Prytaneis of the Naucraries did not play a part in the tragedy.

Thucydides is probably right, as against Herodotus, in asserting that the nine archons formed the Athenian executive at this period. It may be conjectured, however, that the military forces of Athens were organized on the basis of the naucraries, and that it was the duty of the presidents of these districts to raise the local levies. It is certainly remarkable that the Aristotelian Constitution of Athens does not connect the naucrary with the fleet or the army; from chapter viii. it would appear that its importance was chiefly in connection with finance.

The naucrary consisted of a number of villages, and was, therefore, a local unit very much in the power of the naucraros, who was selected by reason of wealth. The naucraros superintended the construction of, and afterwards captained, the ship, and also assessed and administered the taxes in his own area.

In the reforms of Cleisthenes, the naucraries gave place to the demes as the political unit. In accordance with the new decimal system, their number was increased to fifty. Whether they continued (and if so, how long) to supply one ship and two (or ten) horsemen each is not certainly known. Cheidemus in Photius asserts that they did, and his statement is to a certain extent corroborated by Herodotus (vi. 89) who records that, in the Aeginetan War before the Persian Invasion, the Athenian fleet numbered only fifty sail.

See also

  • Trierarchy

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Kansas City (Oklahoma!)

Saturday, March 21st, 2009

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Kansas City” is a song from the musical Oklahoma!. In this 1943 show, the plot set-up for this tune is the return of cowboy Will Parker from an excursion to Kansas City. He describes his experiences in song. The song describes the wonders of this city and its entertainments (from the viewpoint of a country bumpkin), all reprising with the concept that the conditions (in 1906) represent the ultimate in progress, with little more expected.

An instrumental version was used for the highlights of Super Bowl IV between the Kansas City Chiefs and the Minnesota Vikings.

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Oucho Sparks

Friday, March 20th, 2009

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Oucho Sparks
Oucho Sparks Poster circa 2006
Oucho Sparks Poster circa 2006
Background information
Origin Chicago, Illinois, United States
Genre(s) Indie rock
Space rock
Alternative rock
Progressive rock
Years active 1998 - present
Label(s) Dragon Watermelon / Ballistico
Associated acts Andreas Kapsalis Trio
Pretty Good Dance Moves
Website ouchosparks.com
Members
Tim Sandusky (aka Saseuss) 1999-
Laura Grey (aka LTG491) 2003-
Dave Bowers 2000-
Dave Gallagher 2000-
Aaron Allietta (aka Veal) 1998-
Robert Salihar (aka Bob) 1998-
James Gallagher (aka Jarry) 2000-
Ryan Chindlund (aka Catfish) 1998-
Former members
Matt Topic 2000-2001
Mike Strazzulla 1999-2000
Rob Heinz 1999
Chris Grant 2000
Jason Lavalle 1999
Dan Haggerty 1998
Scotty Kattenbraker 1998

Oucho Sparks is an Indie rock band based in Chicago, Illinois.

Since the formation in 1998, the ensemble has gone through several style and personnel transitions. The consistent thread has been a strong display of musicianship, complex/dense song arrangements, and a DIY work ethic.

Contents

  • 1 About the band
  • 2 Timeline
  • 3 Live concerts
  • 4 Discography
  • 5 Related projects
  • 6 Trivia
  • 7 References
  • 8 External links

About the band

The name Oucho Sparks is a phonetic play on the name Groucho Marx, an American comedian.

The band currently is composed of Timothy Sandusky (aka Saseuss) on vocals and synth guitar, Laura Grey (aka LTG491) on vocals and trumpet, David Bowers on guitar, David Gallagher on guitar, Aaron Allietta (aka Veal) on keyboards and vibraphone, Robert Salihar (aka Bob) on bass guitar, James Gallagher (aka Jarry) on drums, with Ryan Chindlund primarily as the live producer.

In the modern incarnation, Oucho Sparks is known for its vocal harmonies, epic guitar lines, icy synths, and lush cinematic soundscapes. They have been compared to other rock bands such as Radiohead, Queen, The Flaming Lips, Frank Zappa, Arcade Fire, and Hawkwind.

Timeline

The band formed around 1998 as a jazz fusion group with experimental tendencies. The founding members were Ryan Chindlund on drums, Robert Salihar on bass guitar and vocals, and Aaron Allietta on keyboards. Dan Haggerty and Scotty Kattenbraker were soon added as guitarists. The first album From The Blue Light House (1998) showcases this particular incarnation.

In the next year, the band had some significant personnel changes as guitarists Haggerty and Kattenbraker left to pursue other artistic ventures. The ensemble added a trumpet and saxophone, Mike Strazzulla and Jason Lavalle respectively. With the addition of horns, the jazz element was emphasized. Salihar remained as the main vocalist though Chindlund would perform the lead vocals on certain songs. The resulting work of this incarnation was the second album Rebirth of the Fool (1999.) The title is a word play on the Miles Davis album titled Birth of the Cool.

During 1999 the band performed several live shows but lost saxophonist Lavalle toward the end of the year. The band continued as a four piece until guitarist Rob Heinz and saxophonist Tim Sandusky joined in late 1999.

2000 proved to be a major transition for the band as many new members were added. Guitarists David Gallagher and David Bowers replaced guitarist Rob Heinz. Second drummer James Gallagher and trumpeter Matt Topic concurrently joined also. Much of the reason for this increase in personnel was in preparation for Zappening 2000, a festival held in tribute to Frank Zappa. The bill included bands with Zappa band alumni and notable acts with Zappa flavor.

After Zappening 2000 Dave Gallagher, Dave Bowers, James Gallagher, and Matt Topic all became official members as their other project (Dave’s Tune) ceased performing. Soon after, violinist Chris Grant joined, thus making Oucho Sparks a ten member band. This period produced the most Frank Zappa influenced music.


Silver Daddy Cover

By 2001 Oucho Sparks started to emphasize the progressive rock element of their sound. After dropping Mike Strazzulla, Chris Grant, and Matt Topic, the band embarked on recording Silver Daddy (2001.) This album is mostly instrumental and features some of the most advanced instrumental arrangements with sparse vocals by Salihar and Chindlund. Two songs from Silver Daddy (”Gropus” and “Floigan”) appear in the 2002 film Urban Ground Squirrels. (imdb link)

Throughout 2001 and 2002 The seven member lineup performed several festivals and concerts most notably Camp Buzz and The Blackhawk Farms Festival.

The members of Oucho Sparks collectively founded an underground music venue named Cafe Ballistico in 2003. Many now notable Chicago music acts had some of their earliest performances at Cafe Ballistico including Bound Stems, Bang Bang, and The Andreas Kapsalis Trio. The Ballistico concept culminated at the 2004 Ballistico Fest featuring Oucho Sparks and several other Ballistico friendly bands.


Foreign Cars and Robots Cover

Except for Ballistico Fest, Oucho Sparks as a music project was unseen from 2003-2007. During that period, the band reformed once again and decided to take a more vocal-focused approach. In late 2003 the band started a new recording to help define the musical direction. Laura Grey joined to provide female vocals, while former saxophonist Tim Sandusky took over lead male vocals. In order to properly record this album, Tim Sandusky and cohorts built a recording studio in Chicago now known as Studio Ballistico. The album Foreign Cars and Robots was completed near the end of 2006. This album marked the modern age of Oucho Sparks and supporting shows in 2007 reflect this.

Live concerts

The band throughout its incarnations has been known for its “over the top” live shows involving props and theatrics. Currently Oucho Sparks desires theaters and alternative performance spaces for the multimedia show.

Discography

  • 1998 From the Blue Light House
  • 1999 Rebirth of the Fool
  • 2001 Silver Daddy
  • 2001 Live From Earth Vol. 1
  • 2002 Live From Earth Vol. 2
  • 2007 Foreign Cars and Robots

Related projects

  • The Andreas Kapsalis Trio
  • Pretty Good Dance Moves

Trivia

  • Tim Sandusky has also used Studio Ballistico to record and produce a variety of Chicago bands including Bound Stems and The Andreas Kapsalis Trio.
  • Out of the 8 current members, only 3 members (Salihar, Chindlund, and Allietta) were founding members.
  • Laura Grey is also an actress, comedic and otherwise.

References

  1. ^ “Amplifier Magazine - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  2. ^ “Amplifier Magazine - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  3. ^ “United Mutations list of Zappa Related Artists”. http://www.united-mutations.com/o/oucho_sparks.htm. 
  4. ^ “Relix Magazine Review”. http://www.relix.com/content/view/1643/57/. 
  5. ^ “2walls webzine review of Silver Daddy”. http://www.2walls.com/REVIEWS/MUSIC/oucho_sparks.asp. 
  6. ^ “IMDB listing for Urban Ground Squirrels”. http://www.imdb.com/title/tt0275761/. 
  7. ^ “Camp Buzz past shows list”. http://www.campbuzz.com/cbpast.html. 
  8. ^ “Shows List including BlackHawk”. http://www.stumbleinthedark.com/concerts.htm. 
  9. ^ “Ballistico Fest Official Website”. http://www.ballisticofest.com/. 
  10. ^ “Amplifier Magazine - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  11. ^ “Amplifier Magazine - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  12. ^ “Amplifier - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  13. ^ “Amplifier Magazine - Oucho Sparks, Controlled Destiny”. http://www.amplifiermagazine.com/amplified/oucho_sparks.php. 
  14. ^ “Laura Grey’s bio for Triplette”. http://www.triplette.net/story.html. 

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William Craven, 4th Earl of Craven

Friday, March 20th, 2009

William George Robert Craven, 4th Earl of Craven OBE (16 December 1868 – 10 July 1921), known as Viscount Uffington from 1868 to 1883, was a British peer and Liberal politician.

Craven was the eldest son of the 3rd Earl of Craven and his wife Evelyn, a daughter of the 7th Viscount Barrington. He succeeded his father as fourth Earl of Craven in 1883 at the age of fourteen, and later took his seat on the Liberal benches in the House of Lords. In 1911 he was appointed Captain of the Yeomen of the Guard (Deputy Chief Whip in the House of Lords) in the Liberal administration of H.H. Asquith, a post he held until 1915. He was also Lord Lieutenant of Warwickshire between 1913 and 1921.

Lord Craven married Cornelia Martin, (1877-19 May 1961), the only daughter of a wealthy American banker, Bradley Martin at Grace Church, New York City, on 18 April 1893. His bride had just passed her sixteenth birthday. The marriage brought him property in Mayfair. Whilst racing at Cowes Week in 1921 and although a strong swimmer at age 55, Lord Craven fell overboard and drowned. His body was washed ashore on 12 July and he was succeeded by his eldest son, William, Viscount Uffington.

Political offices
Preceded by
The Lord Allendale
Captain of the Yeomen of the Guard
1911–1915
Succeeded by
The Lord Suffield
Honorary titles
Preceded by
The Marquess of Northampton
Lord Lieutenant of Warwickshire
1913–1921
Succeeded by
The Lord Leigh
Peerage of the United Kingdom
Preceded by
George Craven
Earl of Craven
1883–1921
Succeeded by
William Craven
Viscount Uffington
1883–1921
Peerage of England
Preceded by
George Craven
Baron Craven
1883–1921
Succeeded by
William Craven

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San Antonio, Northern Samar

Friday, March 20th, 2009

Map of Northern Samar showing the location of San Antonio

San Antonio is a 5th class municipality in the province of Northern Samar, Philippines. According to the 2000 census, it has a population of 7,915 people in 1,667 households.

History

San Antonio was established in 1904. Since its inception, stories have been told that the place was named three times before it was called San Antonio.

San Antonio is known as a sanctuary of fish and birds, which is why settlers from the mainland of Samar in the start of 19th century found this place an ideal ground for fishing and hunting. They come to the island just to catch fish and hunt birds and go back after a handful of catch. People from Bohol and Cebu came to the island in the second half of the 19th century and introduced a method of catching fish using net, commonly known as “laya”. With its introduction, the name “Manoglaya” was born, which literally means “mano nga paraglaya” or fishermen using laya.

As new settlers came and built new communities in the island, they changed its name to “Sugod-sugod”, a Cebuano derivative meaning “just to start or begin”. The name was changed to “Matabia”, referring to the knife-shape of the island. No one knows now why it was changed that way, neither folklores nor historical data reveal the way and therefore of the change. Having no particular preference to immortalize name without great significance, Christians decided to change the name to San Antonio and set Saint Anthony of Padua as their patron saint.

Barangays

San Antonio is politically subdivided into 10 barangays.

  • Ward I (Pob.)
  • Ward II (Pob.)
  • Ward III (Pob.)
  • Burabod
  • Dalupirit
  • Manraya
  • Pilar
  • Rizal
  • San Nicolas
  • Vinisitahan

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Stone palettes

Friday, March 20th, 2009


Indo-Greek stone palette representing an Hellenistic Nereid goddess riding a Ketos sea-monster, 2nd century BCE, Sirkap.

Stone palettes, also called Toilet trays, are round trays commonly found in the areas of Bactria and Gandhara, which usually represent Greek mythological scenes. Some of them are attributed to the Indo-Greek period in the 2nd and 1st century BCE (a few were retrieved from the Indo-Greek stratum No.5 at Sirkap), and many are considered to be of later production, around the 1st century CE during the time of the Indo-Parthians. They practically disappear after the 1st century. Many have been found at the archaeological site of Sirkap, in today’s Pakistan.

Contents

  • 1 Function
  • 2 Crescent-shaped recipients:
  • 3 T-shape recipients:
  • 4 Other shapes:
  • 5 Notes
  • 6 References

Function

It is thought, with some uncertainty, that these trays were used to mix cosmetic products (cf. ancient Egyptian cosmetic palettes). The Ancient Orient Museum was able to analyse the remains of substances adhering to a number of stone palettes, which turned out to be colored cosmetic powders akin to blush. A frieze discovered in Butkara also shows a woman using a mirror as she puts her fingers into one of these stone palettes.

These stone palettes provide an interesting instance of Hellenistic art in the northwestern Indian subcontinent, disconnected from the Buddhist narrative to which it is usually associated in the Greco-Buddhist art of Gandhara.

Only very few of these palettes are known which contain representations of the Buddha.

Crescent-shaped recipients:

T-shape recipients:

Other shapes:

Notes

  1. ^ Report of the Italian mission to Butkara.

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